Monday, June 10, 2019

Bram Stoker's Dracula Compared to Mary Shelly's Frankenstein Essay

Bram Stokers genus Dracula Compargond to Mary Shellys Frankenstein - Essay Exampleaim organism awarded to Shelley, who pioneered in brining a literary concept to light, which was initially an unchartered territory for most authors as she combined elements of Goth and Horror with that of science fiction.Although, Dracula and Frankenstein are essentially from the same genre with some overlapping themes, but the concept and the depiction of themes contain some stark dissimilarity as well. The substance of this prose allow delve into each of the aspects one by oneDracula and Frankenstein both entailed a similar theme about life, death and resurrection. Both creatures possess a strong fascination for the human world, which drives Frankenstein to read books by eminent authors, whereas Dracula reads English magazines to gain a deeper understanding of the human world. This is the prime reason as to why both Dracula and Frankenstein are known to have sophisticated intellect and are capable o f making conversation on any subject, which adds to Draculas charisma in the society, but doesnt help Frankensteins case because of his horrifying appearance. In fact the monster created by Frankenstein had grown low-pitched of his life and expressed it in the following wordsCursed, cursed creator Why did I live? Why, in that instant, did I not extinguish the venting of existence which you had so wantonly bestowed? I know not despair had not yet taken possession of me my feelings were those of rage and revenge (Shelley, 2004, p. 137)Moreover, the stories are touch on the same theme that involves a group of men trying to eliminate a monster that is nothing but scourge for the society. Besides the character, the literary technique used to project the story is also quite similar as both authors wrote their novels in an epistolary form in simpler word, the story is told by the correspondences of the main characters with each other. However, it is a clear indication that the entire s tory is told from a one-sided perspective of the protagonist

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